You'll learn to program kick and snare rolls and use them and other effects to build tension and release in your tracks.
#Cubase tutorial mastering how to
You'll learn in depth how to make a big and energetic build up that is balanced perfectly with the drop of your track. The arrangement of a track can make or break it so in this module Jay will show you all about how to arrange your track so it keeps the listener pulled in and never runs out of energy or gets boring. You'll also start to look at other processes like adding delay to give a real sense of depth to your mix. Jay shows you a great trick of using a vocal from one of the Cubase sample libraries and then uses Cubase's Variaudio to help it fit in the track. Here we'll be looking at processing these extra parts with built in Cubase plug ins learning to use EQ, compression, saturation and distortion to help separate the elements from one another and to add harmonics to the mix so it's deep and lush sounding. In Module 4 you'll start to flesh out the structure of your EDM banger, adding more instruments and elements to the mix. Jay shows how to record this in on the keyboard and then edit to make it nice and tight. Now you have your basic musical structure you can start to program in a lead melody. Once you have the basics down, you'll start to learn to use different chord voicings to make your chord progression more interesting than just standard triads. You don't need any prior music theory knowledge to get started as Jay will take you through the basic steps in a super simple and easy to understand way, looking at what scale to use and how to program basic triad chords. In this module Jay takes you through programming your own chord progression in Cubase.
You'll be automating reverb, using snares, creating fills and adding SFX sounds to really make the drop of your track as fat as possible and really come alive with energy. In this section you'll start to learn some of the essential EDM automation tricks to bring your drop to life. Using only Cubase stock instruments you'll select a fat lead and learn how to process recorded MIDI using quantize functions and then further editing them in the MIDI editor to make it nice and tight. Jay shows you how he approaches making a track starting by making the drop first (the chorus section) and then building the track out from there. No EDM track would be worthy without a fat drop. By the end of this first module you'll have an understanding and working knowledge of most of the basic functions of Cubase. You'll also learn how to make a snare with gated reverb which is a classic EDM technique which can also be used on other sounds. Here you'll dive right in to Cubase's Retrologue and make a sub bass from scratch whilst also learning the basic functions of Cubase and also looking at the sampler track. Then go to the File menu and choose Export > Audio Mixdown.After a short intro and check of the sound settings & preferences your tutor Jay gets straight into making the track! Learn how to make a fat kick and bassline that is punchy and warm with loads of juicy sub bass. Make sure the left and right locators are set around the start and end of your track.
For now, go through your project one last time and double check that everything that should be switched on is on, and what needs to be off is off. You can export stems later for backup or remix purposes, using the Batch Export function. We’re also assuming you’re not taking a bunch of stems to another studio for mastering, but rather staying on your own system. Prepare for exportĪt this point in the production process you will have spent considerable time getting your arrangement and mix just right, so we’re going to assume no further tweaks to either of those things. Now all that remains is to master your track and it can be played to the world! 1. So you’ve finally got the perfect arrangement and mix. Part 2-Building Track Foundations with MIDI
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